Black Lives Matter: The Revenge

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THE HOUSE WITHOUT DOORS

©David Floody 2021

“I got here a little early. The front door was unlocked.”

The startled owner could see she had been wrong about the door being boarded up—and about me—standing just inside, holding it open, and out of sight from the quiet street. I had carefully pried off and hidden the boards, front and back, the night before and come in by the back door earlier this morning. The old locks were child’s play. It was not the first time I’d done it, but it would be the last.

And I was still a shade too Black for this Montgomery, Alabama neighborhood in 1956.

Yet in December, eight months before, Rosa Parks had refused to give up her seat to a White man on the Cleveland Avenue bus and things were less certain. Mrs. Parks was a great believer in the ‘Self-Help Philosophy’ of Booker T. Washington. I was too, long before she kept her seat and took a stand. I practiced a selfish, more extreme form of that philosophy.

I waited with laughter in my heart . . .

“Uh, I’m Deborah-Lee Deveraux. But call me ‘Dee-Dee’, everybody does.” Dee-Dee looked very White, putting aside the unladylike black crowbar and returning the skeleton key to the clutch purse that matched her pale pink shoes and summer dress. The noon hour was drowsy and hot. Beads of perspiration jeweled Dee-Dee’s upper lip.

“Jackson Mississippi. I’ve looked forward to meeting you,” I said.

The hesitation was fractional before the Ipana Toothpaste smile was in place, and she extended her hand to shake mine. “Just like the town?”

“Yes, I’m afraid so. Not very original. Thank you for making this time available after I phoned only this morning. I go by ‘Jack’.”

“Well, uh, Jack, why don’t we start with the basement? The rest of the doors are there, or used to be.”

“The basement would be perfect.”

Deborah-Lee Deveraux, call me Dee-Dee, led the way down the central hallway to the empty basement doorway, halfway along. The house was stripped of all furniture, decoration and any personal touches. The throw rugs were gone and left behind only their lighter shadow selves on the worn pine boards of the floors.

“The kitchen’s straight ahead, of course, with the water-heater in the broom closet by the back door.” She hesitated again, when she saw the back door hanging open, yet decided not to mention it.

Now I bit down on the laughter before it could escape my lips.

“The plumbing’s a bit primitive, like everything else in these old prewar cottages. The house really needs some TLC.”

“Yes, it does.” The irony was overwhelming. I waited until Dee Dee pushed the button of the old basement light switch, and then followed her downstairs. The light from the single, clear-glass hanging bulb amplified the effects of years of humidity and neglect. The corners remained in shadow.

“Damn! Watch it, Mr. . . . uh, Jack.” Dee Dee had hit her head on a low joist and had to pull cobwebs from her stiff brown hair. But I had control now.

“I’ll be careful.”

She took a few steps forward. “This is the furnace, although we rarely had to use it when I was growing up.”

The ancient coal-burner sat like a leprous toad in the middle of the windowless room, the white paint gone gray and peeling. Its heavy iron door lay on the floor in front of it, and the black oval above looked like a mouth gaping in frozen horror.

“You’d probably want to convert to oil,” she said. “It’s cleaner. Not as much soot to contend with.”

“Probably.”

Dee-Dee stooped under the fat octopus arms of the furnace’s galvanized heating pipes that appeared to support the house above. “All the wiring is still knob-and-tube though, and I’m afraid it may not be safe here anymore.” She indicated the pairs of white, ceramic insulators carrying the crusty black wires to the single light.

“Yes, I noticed.”

“The old doors are in a pile over here . . . at least they were?” Her mascara-black brows wrinkled briefly in a delicious puzzlement.

The doors were laid out in a neat line in the dim space behind the furnace.

Dee-Dee stepped forward for a closer look—then abruptly lurched sideways with another curse. I reached out to help her—didn’t want her to hurt herself.

“Thank you, Jack. These rotten old floorboards are not made for high-heels.” She stooped and tenderly probed her right ankle. The grey boards sat unevenly on the musty dirt floor. A dark smudge of dirt marred the pink fabric of her shoe. “Darn it all! I think I’ll wait here if you don’t mind, Jack? I may have a bit of a sprain. I hope the doors are all here.”

“Not at all, Dee Dee. And, yes, I believe everyone is here, now.” I stepped into the shadow behind the furnace to keep my ironic smirk private. The doors had the same pale, scabrous appearance as the old furnace’s cast metal surfaces.

“I confess we have had the house on the market for almost a year, ever since Mr. Villier’s wife had the coronary. The poor woman’s heart was weak. And then he disappeared himself, nine months ago. The sheriff searched the place, but found nothing. I accept he’s dead in the woods out back somewhere, but no body found yet.”

Why did she call her father, “Mr. Villier,” and her mother, “the poor woman?”

“Yes. That is strange.”

“I finally did take down the sign and my husband boarded the place up three weeks ago, after some vandalism. Just me left now. Mr. Villier had two older daughters and the twin boys. But almost two years back, they were driven off the road by a hit-and-run driver on their way here before Christmas.”

“Oh my! I can’t imagine . . .” More self-control, as Dee Dee nodded in painful remembrance.

“Such bad luck, too. The one time they would all be together. But the children’s annual Christmas reunion was a tradition of sorts. Almost killed Mr. Villier, as well. Five children and four of them gone in the same accident.”

“Yes. A loss that must mark you for the rest of your life.”

“It’s so very true, Jack. And I might have been with them. My husband and I were waiting for them to pick me up here in Montgomery for an afternoon outing, just the five of us. When we got the news, why I just couldn’t believe it.”

I offered her my fine white cotton handkerchief. Still that brief reluctance, but she took it and pressed it against the corner of each wide blue eye, blotting the dark mascara.

“Who could?” I agreed.

If only I had been there to enjoy the horror on Dee-Dee’s pretty pink face. But of course, I had to be miles away by then. She returned the mascara-smeared handkerchief with an apologetic smile.

 “Now Mr. Villier’s wife is lying beside them in the old Villier Family Crypt, in the cemetery down the road a bit, waiting for her missing husband.”

Dee Dee didn’t mention that the once prosperous, slave-owning Villier family had fallen quite a way since the Civil War scattered them, and that the big wreck of a house was finally torn down to provide space for the cemetery. Or that she often went by only the Villier name herself. She certainly didn’t mention that my mother, too-early dead from a cancer these three years past, was their housekeeper for some years, let go when her pregnancy began to show. Old habits die hard in the South.

The gloom hid my smile, bitter this time.

“I’m sorry to hear all that, Dee Dee,” I said. My efforts at the cemetery had been considerable, yet the smells of putrefaction were perfume to my senses, all worth it. I didn’t correct her.

“To be truly honest, Jack, I’m desperate for any offer.”

“Seven.”

“Hundred?”

“Doors,” I said. “I counted them.”

“Oh. You wouldn’t think there’d be that many in a small house like this, even with the front and back I mean.”

“Yes. I didn’t count those.”

“Mr. Villier took the doors off his self, you know. And began to leave the lights burning all night . . . all night. Drove the nearest neighbours to distraction.”

“Why, I wonder?”

“I asked him that. He said, ‘To keep away the shadows’.”

“Ah.”

“Kind of embarrassing. Must have gone a little crazy after his wife’s death.” I could just make out Dee-Dee’s moue of distaste. “He found her body right there, behind the furnace.”

Strictly speaking, the wife wasn’t necessary. I could sympathize. She was a kind of victim too. Yet I was curious about the effect her added death would have on old man Villiers.

“Found here? Are you sure?” I waited . . . and Dee Dee finally felt her way over, favouring her right foot like a wounded animal.

“Just where you’re standing, Jack.” she agreed. “I guess he about tripped over her in the dark.”

“Yes, I know.”

Deborah-Lee Deveraux, “call me Dee Dee, everybody does,” didn’t have a chance to scream.

I opened the seventh door in the row and kicked her body into the hole underneath. Next came a thick layer of quicklime, smoothed with the shovel like the frosting on a wedding cake, one my mother never had. Husband, wife, sisters and brothers—one big, happy family together again.

Almost.

“Six children, actually, Dee Dee. Welcome home, little sister.”

The final door was closed, like it and the others had always been. Now I was free at last to leave the home I’d never known. This time I walked out the front door into the empty street and let it hang open behind me. The sun was blinding white, so I slipped on my dark glasses.

I left the light burning in the basement against the shadows to come.

“For you, Father.”

End

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Novelist

David Floody is a Canadian, Young Adult novelist living and writing in Tofino, British Columbia on the far west coast of Vancouver Island, in breathtaking Clayoquot Sound. His Young Adult novel, THE COLOUR OF PRIDE, is set in 1968, a year after the David witnessed the fires of hatred consume Detroit in a five-day race riot. White fourteen-year-old ballplayer, Frank Phelan, defends and befriends Black teenaged ballplayer, Ellie Fitzgerald, from a brutal racist bully during a crucial game of the 1968 World Series. Frank suffers the worst beating of his life. But his baseball hero, Detroit Tigers player Al Kaline, comes to his and Ellie's rescue. The worst day of his life, becomes the best day of his life, and Kaline gives Frank his own baseball cap with the word "Pride" written on the bill, along with all the Tigers team signatures. _____________ David's forthcoming Young Adult novel, INSECT YOUTH, is a coming-of-age sequel to The Colour of Pride, set two years later. Frank Phelan, now sixteen, discovers first love with the mysteriously beautiful Starr Summers. But when he and Starr aree exploring a deep railway, they have a violent encounter with his enemy, Dixie, and Frank is knocked unconscious. Frank later suspects Starr has been sexually assaulted when she becomes silent and withdrawn, but she will not talk about it. When the law fails him and Starr runs away. Frank is the only one who can deliver justice to the older punk. In that same valley, in the middle of a BB gun war, Frank puts his finger on the trigger of his powerful Perazzi pellet gun with its telescopic sight. Frank has Dixie's face in his crosshairs. If Frank pulls the trigger, he steps across a thousand lines and can never again step back. He whispers Starr's name. "In moment he fires, Frank sees himself reflected in the lens of Dixie's eye."

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